Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas Cornfield and tree line oil painting


Cornfield and tree line
mk206 1890-1892 Oil on canvas 25.5x34.5cm
Painting ID::  49979 		Edgar Degas
Cornfield and tree line
mk206 1890-1892 Oil on canvas 25.5x34.5cm
   
   
     
Edgar Degas Pink and green oil painting


Pink and green
mk206 1894 Oil on canvas 67x47.6cm
Painting ID::  49980 		Edgar Degas
Pink and green
mk206 1894 Oil on canvas 67x47.6cm
   
   
     
Edgar Degas Before the performance oil painting


Before the performance
mk206 1890-1892 Oil on canvas 40x88.9cm
Painting ID::  49981 		Edgar Degas
Before the performance
mk206 1890-1892 Oil on canvas 40x88.9cm
   
   
     
Edgar Degas Before the performance oil painting


Before the performance
mk206 1893-1898 Oil on canvas 70x200.5cm
Painting ID::  49982 		Edgar Degas
Before the performance
mk206 1893-1898 Oil on canvas 70x200.5cm
   
   
     
Edgar Degas Bath oil painting


Bath
mk206 about 1895 Oil on canvas 81.3x117.5cm
Painting ID::  49983 		Edgar Degas
Bath
mk206 about 1895 Oil on canvas 81.3x117.5cm
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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